For the first time in the history of the transeuropa festival, no one directly involved in the festival's organisation decides on the programme. The head team of transeuropa 2024 – making space initiated two juries. The so-called Youth Jury and Citizens' Jury.
These two juries chose which of the 170 submitted performances would be invited to performed in Hildesheim during the festival.
The Youth Jury consists of Year 9 pupils with the culture profile at St. Augustinus School. Throughout two sessions, the pupils selected one production from the various applications for young audiences. The Youth Jury selected the performance Terminus by human.lab.
»Modern dance in the centre of a train station. A place to linger and pass by. Unusual masks and anonymity. This convinced the youth jury during the two workshop days. The youth jury is delighted to make another unusual place the playground of transeuropa 2024.«
We first met at the beginning of March 2024 at the platzhalter. We, that is a motley group of 14 people from Hildesheim.
Our lives and our everyday lives are very different. But we are united by our interest in art and culture. And our desire to get involved in the city.
Our goal: we want to organise a great festival together!
Our work is critical of discrimination, respectful, grassroots democratic and positively contentious. We are a diverse group, but we can't speak for everyone. We attempted to consider perspectives that we do not experience. We have grown as a group and value our work very much!
Andrej Stickelmayer
Arwen Burgau
Carina Mueller
Gülüm Bleckmann
Julia Avadova
Lotta Heck
Magdalena Mayer
Maryna Petrova
Michael Dittmann
Nadine Müller
Olga Babenko
Sebastian Cottmann
Sven Große
Viktoria Pape
»We want to go out into the city and onto the streets with the maiskindern! Unconventional and charming, the group invites us to enjoy every moment. The unusual and exciting format inspires us. It excites us for diversity and being yourself. A captivating performance.«
»PERSPECTIVES brings the very important topic of racism to the stage. We want to give this topic and this production space. The production is uncomfortable and has an unmistakable message: it demands a change of perspective and encourages us to reflect on our own role.«
»In such a religious city like Hildesheim, this play is especially important. The very personal and shocking performance moved us deeply. With SODOM, Arno Verbruggen brings a topical issue to the surface. Queerness otherwise made invisible by the church thus becomes visible. This clear rejection of pigeonholing convinced us.«
»Super Superficial makes us think about the perception of FLINTA* bodies in society. For us, the piece is a self-empowering and overdue breaking of taboos. Because all bodies are beautiful and should not be stigmatised. Kysy Fischer's production is visually sophisticated, playful, but also challenging. It is humorous and ironic as well as shocking and intense.«
»Mona Farivar immediately won us over with her piece. We particularly liked her dance, which is characterised by extreme dynamism. We felt the emotions of her personal story very strongly. A story that, in our eyes, is highly topical today.«
For the first time in the history of the transeuropa festival, no one directly involved in the festival's organisation decides on the programme. The head team of transeuropa 2024 – making space initiated two juries. The so-called Youth Jury and Citizens' Jury.
These two juries chose which of the 170 submitted performances would be invited to performed in Hildesheim during the festival.
The Youth Jury consists of Year 9 pupils with the culture profile at St. Augustinus School. Throughout two sessions, the pupils selected one production from the various applications for young audiences. The Youth Jury selected the performance Terminus by human.lab.
»Modern dance in the centre of a train station. A place to linger and pass by. Unusual masks and anonymity. This convinced the youth jury during the two workshop days. The youth jury is delighted to make another unusual place the playground of transeuropa 2024.«
We first met at the beginning of March 2024 at the platzhalter. We, that is a motley group of 14 people from Hildesheim.
Our lives and our everyday lives are very different. But we are united by our interest in art and culture. And our desire to get involved in the city.
Our goal: we want to organise a great festival together!
Our work is critical of discrimination, respectful, grassroots democratic and positively contentious. We are a diverse group, but we can't speak for everyone. We attempted to consider perspectives that we do not experience. We have grown as a group and value our work very much!
Andrej Stickelmayer
Arwen Burgau
Carina Mueller
Gülüm Bleckmann
Julia Avadova
Lotta Heck
Magdalena Mayer
Maryna Petrova
Michael Dittmann
Nadine Müller
Olga Babenko
Sebastian Cottmann
Sven Große
Viktoria Pape
»We want to go out into the city and onto the streets with the maiskindern! Unconventional and charming, the group invites us to enjoy every moment. The unusual and exciting format inspires us. It excites us for diversity and being yourself. A captivating performance.«
»PERSPECTIVES brings the very important topic of racism to the stage. We want to give this topic and this production space. The production is uncomfortable and has an unmistakable message: it demands a change of perspective and encourages us to reflect on our own role.«
»In such a religious city like Hildesheim, this play is especially important. The very personal and shocking performance moved us deeply. With SODOM, Arno Verbruggen brings a topical issue to the surface. Queerness otherwise made invisible by the church thus becomes visible. This clear rejection of pigeonholing convinced us.«
»Super Superficial makes us think about the perception of FLINTA* bodies in society. For us, the piece is a self-empowering and overdue breaking of taboos. Because all bodies are beautiful and should not be stigmatised. Kysy Fischer's production is visually sophisticated, playful, but also challenging. It is humorous and ironic as well as shocking and intense.«
»Mona Farivar immediately won us over with her piece. We particularly liked her dance, which is characterised by extreme dynamism. We felt the emotions of her personal story very strongly. A story that, in our eyes, is highly topical today.«