{"id":505,"date":"2024-07-31T17:36:05","date_gmt":"2024-07-31T15:36:05","guid":{"rendered":"https:\/\/transeuropa-festival.de\/2024\/?p=505"},"modified":"2024-09-04T13:21:22","modified_gmt":"2024-09-04T11:21:22","slug":"sodom-en","status":"publish","type":"post","link":"https:\/\/transeuropa-festival.de\/2024\/en\/sodom-en\/","title":{"rendered":"SODOM"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":478,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[38,80],"tags":[74,76],"class_list":["post-505","post","type-post","status-publish","has-post-thumbnail","hentry","category-festival-programme-en","category-invited-performance","tag-friday","tag-thursday"],"grid":"{\r\n  \"colCount\": 3,\r\n  \"colGutter\": 2,\r\n  \"rowGutters\": [\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    0,\r\n    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The very personal and shocking performance moved us deeply. With <i>SODOM<\/i>, Arno Verbruggen brings a topical issue to the surface. Queerness otherwise made invisible by the church thus becomes visible. This clear rejection of pigeonholing convinced us.\u00ab<\/span><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 3,\r\n      \"spacebelow\": 3,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Content Notes:<\/p><p><span lang=\\\"EN-US\\\"><em>SODOM<\/em> creates a dark and primal atmosphere. The performance includes nudity, darkness, stroboscopic effects, as well as loud music and sounds. 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It questions the prejudices against homosexual people in religious stories. The performance exposes stereotypes and their origins in order to bring about a social rethink. 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The very personal and shocking performance moved us deeply. With <i>SODOM<\/i>, Arno Verbruggen brings a topical issue to the surface. Queerness otherwise made invisible by the church thus becomes visible. This clear rejection of pigeonholing convinced us.\u00ab<\/span><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"5\",\r\n      \"spacebelow\": \"5\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Content Notes:<\/p><p><span lang=\\\"EN-US\\\"><em>SODOM<\/em> creates a dark and primal atmosphere. The performance includes nudity, darkness, stroboscopic effects, as well as loud music and sounds. The audience is invited to follow the performance intermittently via an Instagram livestream.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"10\",\r\n      \"spacebelow\": \"5\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 15,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"elementgrid\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 35,\r\n      \"config\": {\r\n        \"desktop\": {\r\n          \"colCount\": 4,\r\n          \"colGutter\": 2,\r\n          \"rowGutter\": 1,\r\n          \"colGutterMu\": \"%\",\r\n          \"rowGutterMu\": \"%\",\r\n   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    \"attid\": 524,\r\n            \"cont\": \"\/wp-content\/uploads\/2024\/08\/te-icon-uebertitel-en-en.svg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2024\/08\/te-icon-uebertitel-en-en.svg\"\r\n            },\r\n            \"w\": 700,\r\n            \"h\": 544.44,\r\n            \"ar\": 0.7777714285714287,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p>English Subtitles<\/p>\"\r\n          },\r\n          {\r\n            \"type\": \"img\",\r\n            \"attid\": 523,\r\n            \"cont\": \"\/wp-content\/uploads\/2024\/08\/te-icon-uebertitel-de-en.svg\",\r\n            \"sizes\": {\r\n              \"full\": \"\/wp-content\/uploads\/2024\/08\/te-icon-uebertitel-de-en.svg\"\r\n            },\r\n            \"w\": 700,\r\n            \"h\": 544.44,\r\n            \"ar\": 0.7777714285714287,\r\n            \"alt\": \"\",\r\n            \"caption\": \"<p>German Subtitles<\/p>\"\r\n          }\r\n        ],\r\n        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class=\\\"_H2\\\">Trailer<\/h2>\",\r\n      \"align\": \"top\",\r\n      \"row\": 14,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": \"10\",\r\n      \"spacebelow\": \"2\",\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/WRjL6eLA9ys\/hqdefault.jpg\",\r\n      \"align\": \"middle\",\r\n      \"row\": 15,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 31,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" 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