{"id":1462,"date":"2021-05-13T20:47:13","date_gmt":"2021-04-06T14:43:15","guid":{"rendered":"http:\/\/transeuropa-festival.de\/2021\/vortrag-digitalitaet-2\/"},"modified":"2021-05-25T19:56:52","modified_gmt":"2021-05-25T17:56:52","slug":"interview-digitalitaet","status":"publish","type":"post","link":"https:\/\/transeuropa-festival.de\/2021\/interview-digitalitaet\/","title":{"rendered":"INTERVIEW: Social Media in der k\u00fcnstlerischen Praxis"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1466,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[348,63,59],"tags":[43,357],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>INTERVIEW: Social Media in der k\u00fcnstlerischen Praxis &#187; transeuropa [X]<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/transeuropa-festival.de\/2021\/interview-digitalitaet\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"INTERVIEW: Social Media in der k\u00fcnstlerischen Praxis &#187; 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Aber es l\u00e4sst sich auch anders in ihr leben; der Kurzatmigkeit steht ein Tagebuch- oder Archivcharakter gegen\u00fcber, den ein Profil genauso haben kann. Das Netzwerk kann als zug\u00e4ngliche B\u00fchne genutzt werden - wenn auch von Algorithmen beeinflusst -\u00a0 das Bespielen von Accounts als Inszenierung. In der individuellen Gestaltung der Social Media Kan\u00e4le liegen somit Gefahren und Potenziale. Die K\u00fcnstlerin Chantel Foo bedient sich der Sozialen Medien als k\u00fcnstlerische Praxis, sie hinterfragt und verarbeitet Dynamiken digitaler Kommunikation schon bevor die Pandemie ein Augenmerk darauf gelegt hat. In einem Interview berichtet sie von ihren Strategien und Erfahrungen.<\/span><\/p><p>Chantel Foo ist mit ihrem Werk <a href=\\\"http:\/\/transeuropa-festival.de\/2021\/arriving-now\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1308\\\" data-title=\\\"Arriving, Now\\\" data-catid=\\\"[36,54,339,57,59]\\\"><strong>Arriving, Now<\/strong><\/a> Gast im k\u00fcnstlerischen Programm des transeuropa [X].<\/p><p><br \/><br \/><\/p><h1 class=\\\"_h3\\\"><span style=\\\"font-weight: 400;\\\">INTERVIEW: Social media in artistic practice<\/span><\/h1><p><span style=\\\"font-weight: 400;\\\">Clicking, liking, sharing - the world of social media seems fast-moving and superficial. But there is another way to live in it; the breathlessness is contrasted by the diary or archive character that a profile can also have. The network can be used as an accessible stage - even if it is influenced by algorithms - the creation of accounts as an artistic production. The individual design of social media channels thus holds both dangers and potentials. The artist Chantel Foo uses social media as an artistic practice, questioning and processing the dynamics of digital communication even before the pandemic has taken hold. In an interview, she reports on her strategies and experiences.<\/span><\/p><p>Chantel Foo is also participating on the transeuropa [X] with her performance <a href=\\\"http:\/\/transeuropa-festival.de\/2021\/arriving-now\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1308\\\" data-title=\\\"Arriving, Now\\\" data-catid=\\\"[36,54,339,57,59]\\\"><strong>Arriving, Now<\/strong><\/a>.<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 3574\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/interview-einfache-sprache\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1569\\\" data-title=\\\"Interview \u00fcber soziale Medien (Social Media) und Kunst - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/span><\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 10,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 31\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 23,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><strong>Chantel Foo<\/strong> (b. Singapore) is a queer artist living and working in London. At the moment the main thread of her art practise is anchored in performance, which roots from her training in traditional Chinese dance. Working with slippages, departure and residual presence, Chantel's practise gathers and sits with states of selves through mediums such as live-action roleplay and livestreams; producing and participating in alternate, possible realities. <span style=\\\"font-weight: 400;\\\">She is deeply interested in glitch spaces and remote performances that exhibit a search to compound physical spaces, to merge interspatial presences, and ultimately tension, play, and stretch time and space.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 2,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 25,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00dcber die Rednerin\/ about the speakers<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\"><strong>Chantel Foo<\/strong> ist eine queere K\u00fcnstlerin, die in Singapur geboren ist und jetzt in London lebt und arbeitet. Der Fokus ihrer Arbeit liegt auf Performance, mit Einfl\u00fcssen aus chinesischen Tanztraditionen. <strong>Chantel Foo<\/strong> spielt mit Verz\u00f6gerungen, Aufbr\u00fcchen und R\u00fcckst\u00e4nden von Pr\u00e4senz. Sie erschafft damit alternative, m\u00f6gliche Realit\u00e4ten in Live-Action-Rollenspielen und Livestreams. Besonders Glitch-R\u00e4ume und Remote-Performances machen ihre Arbeit aus, die eine Suche nach der Verbindung von physischen R\u00e4umen, der Verschmelzung von zwischenr\u00e4umlichen Pr\u00e4senzen und letztlich Spannung, Spiel und Dehnung von Zeit und Raum sind.<\/span><\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 6,\r\n      \"colspan\": 4,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26\r\n    },\r\n    {\r\n      \"type\": \"embed\",\r\n      \"cont\": \"<iframe title=\\\"Chantel Foo Interview\\\" src=\\\"https:\/\/player.vimeo.com\/video\/553690657?dnt=1&amp;app_id=122963\\\" width=\\\"500\\\" height=\\\"375\\\" frameborder=\\\"0\\\" allow=\\\"autoplay; fullscreen; picture-in-picture\\\" allowfullscreen><\/iframe>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 27,\r\n      \"url\": \"https:\/\/vimeo.com\/553690657\",\r\n      \"w\": 500,\r\n      \"h\": 375,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 3,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: left;\\\"><span style=\\\"font-weight: 400;\\\">INTERVIEW:<\/span><\/p><p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: left;\\\"><span style=\\\"font-weight: 400;\\\">Social Media in der k\u00fcnstlerischen Praxis<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 3,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 723,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/interview-einfache-sprache\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1569\\\" data-title=\\\"Interview \u00fcber soziale Medien (Social Media) und Kunst - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/span><\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 31,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\">Klicken, Liken, Sharen \u2013 die Welt der Soziale Medien scheint schnelllebig und oberfl\u00e4chlich. Aber es l\u00e4sst sich auch anders in ihr leben; der Kurzatmigkeit steht ein Tagebuch- oder Archivcharakter gegen\u00fcber, den ein Profil genauso haben kann. Das Netzwerk kann als zug\u00e4ngliche B\u00fchne genutzt werden - wenn auch von Algorithmen beeinflusst -\u00a0 das Bespielen von Accounts als Inszenierung. In der individuellen Gestaltung der Social Media Kan\u00e4le liegen somit Gefahren und Potenziale. Die K\u00fcnstlerin Chantel Foo bedient sich der Sozialen Medien als k\u00fcnstlerische Praxis, sie hinterfragt und verarbeitet Dynamiken digitaler Kommunikation schon bevor die Pandemie ein Augenmerk darauf gelegt hat. In einem Interview berichtet sie von ihren Strategien und Erfahrungen.<\/span><\/p><p>Chantel Foo ist mit ihrem Werk <a href=\\\"http:\/\/transeuropa-festival.de\/2021\/arriving-now\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1308\\\" data-title=\\\"Arriving, Now\\\" data-catid=\\\"[36,54,339,57,59]\\\"><strong>Arriving, Now<\/strong><\/a> Gast im k\u00fcnstlerischen Programm des transeuropa [X].<\/p><p><br \/><br \/><\/p><h1 class=\\\"_h3\\\"><span style=\\\"font-weight: 400;\\\">INTERVIEW: Social media in artistic practice<\/span><\/h1><p><span style=\\\"font-weight: 400;\\\">Clicking, liking, sharing - the world of social media seems fast-moving and superficial. But there is another way to live in it; the breathlessness is contrasted by the diary or archive character that a profile can also have. The network can be used as an accessible stage - even if it is influenced by algorithms - the creation of accounts as an artistic production. The individual design of social media channels thus holds both dangers and potentials. The artist Chantel Foo uses social media as an artistic practice, questioning and processing the dynamics of digital communication even before the pandemic has taken hold. In an interview, she reports on her strategies and experiences.<\/span><\/p><p>Chantel Foo is also participating on the transeuropa [X] with her performance <a href=\\\"http:\/\/transeuropa-festival.de\/2021\/arriving-now\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1308\\\" data-title=\\\"Arriving, Now\\\" data-catid=\\\"[36,54,339,57,59]\\\"><strong>Arriving, Now<\/strong><\/a>.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 3574\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00dcber die Rednerin\/ about the speakers<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\"><strong>Chantel Foo<\/strong> ist eine queere K\u00fcnstlerin, die in Singapur geboren ist und jetzt in London lebt und arbeitet. Der Fokus ihrer Arbeit liegt auf Performance, mit Einfl\u00fcssen aus chinesischen Tanztraditionen. <strong>Chantel Foo<\/strong> spielt mit Verz\u00f6gerungen, Aufbr\u00fcchen und R\u00fcckst\u00e4nden von Pr\u00e4senz. Sie erschafft damit alternative, m\u00f6gliche Realit\u00e4ten in Live-Action-Rollenspielen und Livestreams. Besonders Glitch-R\u00e4ume und Remote-Performances machen ihre Arbeit aus, die eine Suche nach der Verbindung von physischen R\u00e4umen, der Verschmelzung von zwischenr\u00e4umlichen Pr\u00e4senzen und letztlich Spannung, Spiel und Dehnung von Zeit und Raum sind.<\/span><\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><strong>Chantel Foo<\/strong> (b. Singapore) is a queer artist living and working in London. At the moment the main thread of her art practise is anchored in performance, which roots from her training in traditional Chinese dance. Working with slippages, departure and residual presence, Chantel's practise gathers and sits with states of selves through mediums such as live-action roleplay and livestreams; producing and participating in alternate, possible realities. <span style=\\\"font-weight: 400;\\\">She is deeply interested in glitch spaces and remote performances that exhibit a search to compound physical spaces, to merge interspatial presences, and ultimately tension, play, and stretch time and space.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"embed\",\r\n      \"cont\": \"<iframe title=\\\"Chantel Foo Interview\\\" src=\\\"https:\/\/player.vimeo.com\/video\/553690657?dnt=1&amp;app_id=122963\\\" width=\\\"500\\\" height=\\\"375\\\" frameborder=\\\"0\\\" allow=\\\"autoplay; fullscreen; picture-in-picture\\\" allowfullscreen><\/iframe>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27,\r\n      \"url\": \"https:\/\/vimeo.com\/553690657\",\r\n      \"w\": 500,\r\n      \"h\": 375,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1462"}],"collection":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/comments?post=1462"}],"version-history":[{"count":0,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1462\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media\/1466"}],"wp:attachment":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media?parent=1462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/categories?post=1462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/tags?post=1462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}