{"id":1400,"date":"2021-05-11T11:12:07","date_gmt":"2021-04-06T14:43:15","guid":{"rendered":"http:\/\/transeuropa-festival.de\/2021\/working-lass-heroine-2\/"},"modified":"2021-05-21T00:41:07","modified_gmt":"2021-05-20T22:41:07","slug":"working-lass-heroine-workshop","status":"publish","type":"post","link":"https:\/\/transeuropa-festival.de\/2021\/working-lass-heroine-workshop\/","title":{"rendered":"WORKSHOP: working_lass hero_ine"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1322,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,63,32,59],"tags":[360,359],"yoast_head":"\nWORKSHOP: working_lass hero_ine » transeuropa [X]<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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e.V."},"image":{"@id":"https:\/\/transeuropa-festival.de\/2021\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/transeuropahildesheim\/"]}]}},"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 3,\r\n 5,\r\n 3,\r\n 3,\r\n 3,\r\n 3\r\n ],\r\n \"frameMargin\": 4,\r\n \"topFrameMargin\": 10,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {\r\n \"bgcolor\": \"#ffffff\"\r\n },\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: left;\\\"><span style=\\\"color: #000000;\\\"><b>Workshop:<\/b><\/span><\/p><p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: left;\\\"><span style=\\\"color: #000000;\\\"><b>working_lass <br \/>hero_ine<\/b><br \/><\/span><\/p><p>\u00a0<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 0,\r\n \"col\": 2,\r\n \"colspan\": 9,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 3,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 723,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_h1_Koprus\\\">\u201eKlasse hat mit deinem Verhalten zu tun, mit deinen Grundannahmen, damit, wie man dir beibringt, dich zu verhalten, was du von dir selbst und von anderen erwartest, mit deiner Vorstellung von einer Zukunft, wie du Probleme verstehst und l\u00f6st, wie du denkst, f\u00fchlst und handelst\\\"<\/p><p class=\\\"_Default\\\"><span class=\\\"_Koprus_A_Character\\\">- Rita Mae Brown<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 1,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 3123,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/workshop-working_lass-hero_ine-einfache-sprache\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1441\\\" data-title=\\\"WORKSHOP: working_lass hero_ine - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/span><\/a><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 10,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 30\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<div>Das Zitat der amerikanischen Schriftsteller*in beschreibt, wie breit und tief klassistische Erfahrungen wirken k\u00f6nnen. Auch der Kunst- und Kulturbetrieb ist von klassistischen Strukturen und Verhaltensweisen durchzogen. In einem einf\u00fchrenden Workshop soll es die M\u00f6glichkeit geben, die Diskriminierung aufgrund der sozialen Herkunft und sozio-\u00f6konomischen Position zu beleuchten. Wie wirken Fremd- und Selbstausschluss? Welche Formen der Selbsterm\u00e4chtigung und Sichtbarmachung von Klassismus gibt es?<\/div><div>Das Zine \u201e<strong>working_lass hero_ine<\/strong>\u201c stellt sich genau solche Fragen. Die K\u00fcnstlerin <strong>Anne-Kristin<\/strong> stellt das Magazin sowie Strategien und Herangehensweisen zur eigenen Herstellung dieser selbstpublizierbaren Hefte in einem Workshop vor.<\/div><div>\u00a0<\/div><div>\u00a0<\/div><div>\u00a0<\/div><div><span class=\\\"_Koprus_A_Character\\\">\u201eClass involved your behavior, your basic assumptions, how you are taught to behave, what you expect from yourself and from others, your concept of a future, how you understand problems and solve them, how you think, feel, act.\u201d<\/span><\/div><div>\u00a0<\/div><div>This quote by the American writer describes how broad and deep the impact of class discrimination can be. The art and culture sector is also permeated by structures and behaviours of classism. In an introductory workshop, there will be an opportunity to shed light on discrimination based on social origin and socio-economic position. How do exclusion from others and self-exclusion work? What forms of self-empowerment and making classism visible are there?<\/div><div>\u00a0<\/div><div>The zine \\\"<strong>working_lass hero_ine<\/strong>\u201c asks exactly such questions. The artist <strong>Anne-Kristin<\/strong> will present the magazine as well as strategies and approaches for producing these self- publishable booklets in a workshop.<\/div><div>\u00a0<\/div><div>\u00a0<\/div>\",\r\n \"align\": \"middle\",\r\n \"row\": 2,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 3574,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 3,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 25,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Standard_small\\\"><strong>26.05.<\/strong><br \/>14:30h \u2013 15:30h<\/p><p class=\\\"_Standard_small\\\">ZOOM<\/p><p class=\\\"_Standard_small\\\"><br \/>in leichter Sprache (deutsch)\/ <br \/>In plain language (German)<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">maximale Teilnehmer*innenanzahl: 10<\/span><\/p><p>\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800.jpg\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1543,\r\n \"attid\": 1403,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800-768x336.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800-512x224.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800-265x116.jpg\"\r\n },\r\n \"w\": 800,\r\n \"h\": 350,\r\n \"ar\": 0.4375,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 27,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Default\\\"><span style=\\\"font-weight: 400;\\\">Anmeldungen bitte bis <strong>20.05<\/strong>. mit <br \/><strong>Angabe der Postanschrift<\/strong> an:<\/span><\/p><p class=\\\"_Default\\\"><span style=\\\"font-weight: 400;\\\">e.woertmann[at]transeuropa-festival.de<\/span><\/p><p class=\\\"_Default\\\"><span style=\\\"font-weight: 400;\\\">Unter den angemeldeten Personen wird gelost, eine R\u00fcckmeldung erfolgt am\u00a021.05.2021.<\/span><span style=\\\"font-weight: 400;\\\"><br \/><\/span><span style=\\\"font-weight: 400;\\\">Die Workshopteilnehmer*innen erhalten im Vorfeld einen Brief mit Materialien f\u00fcr den Workshop.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 5,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 23\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 24,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Standard_small\\\">\u00dcber die K\u00fcnstlerin\/about the artist<\/p><p class=\\\"_Standard_small\\\">eine lehre als assistentin in der bekleidungstechnik, aber ohne jobchancen, lernte aber Nele kennen, die b\u00fccher liest, job in einem second-hand-shop in dresden, arbeitete mit den kunststudierenden Melo und Raiko, nahmen mich mit zu ausstellungen, besuchte zeichenkurse, kam in eine modedesignklasse an einer nicht so renommierten technischen universit\u00e4t, lernte Lola kennen, sie machte mich mit intersektionalem feminismus bekannt, besuchte Vorlesungen, wurde frustriert, kam an eine prestigetr\u00e4chtige kunstuniversit\u00e4t, traf Pierre-Yves, einen Filmemacher, der tanzt, ich wollte lange pole dance machen, aber pole dance kurse sind so teuer, au\u00dfer man studiert und dann ist es nicht ungew\u00f6hnlich, dass tanzlehrer*innen und t\u00e4nzer*innen sich vom ursprung des tanzes distanzieren.<\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p><p class=\\\"_Standard_small\\\">an apprenticeship as assistant in garment technology without job opportunities, but met Nele, someone who reads books, second-hand-shop-job in dresden, met art students Melo and Raiko, took me to exhibitions, did drawing courses, got into fashion design class at not so prestigious technical university, met Lola, she introduced me to intersectional feminism, visited lectures, got frustrated, got into more prestigious art university, met Pierre-Yves, filmmaker who dances, i wanted to pole dance for a while then but pole dance courses are so expensive except when you are a student and then it\u2018s not uncommon dance teachers and dancers distance themselves from the dance\u2018s origin.<\/p><p>\u00a0<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 6,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 26,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n }\r\n ]\r\n}","phonegrid":"{\r\n \"colCount\": 3,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 2\r\n ],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": 5,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: left;\\\"><span style=\\\"color: #000000;\\\"><b>Workshop:<\/b><\/span><\/p><p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: left;\\\"><span style=\\\"color: #000000;\\\"><b>working_lass <br \/>hero_ine<\/b><br \/><\/span><\/p><p>\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 5,\r\n \"spacebelow\": 3,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 723,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/workshop-working_lass-hero_ine-einfache-sprache\/\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1441\\\" data-title=\\\"WORKSHOP: working_lass hero_ine - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/span><\/a><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 1,\r\n \"col\": 2,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 30,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_h1_Koprus\\\">\u201eKlasse hat mit deinem Verhalten zu tun, mit deinen Grundannahmen, damit, wie man dir beibringt, dich zu verhalten, was du von dir selbst und von anderen erwartest, mit deiner Vorstellung von einer Zukunft, wie du Probleme verstehst und l\u00f6st, wie du denkst, f\u00fchlst und handelst\\\"<\/p><p class=\\\"_Default\\\"><span class=\\\"_Koprus_A_Character\\\">- Rita Mae Brown<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 3123,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<div>Das Zitat der amerikanischen Schriftsteller*in beschreibt, wie breit und tief klassistische Erfahrungen wirken k\u00f6nnen. Auch der Kunst- und Kulturbetrieb ist von klassistischen Strukturen und Verhaltensweisen durchzogen. In einem einf\u00fchrenden Workshop soll es die M\u00f6glichkeit geben, die Diskriminierung aufgrund der sozialen Herkunft und sozio-\u00f6konomischen Position zu beleuchten. Wie wirken Fremd- und Selbstausschluss? Welche Formen der Selbsterm\u00e4chtigung und Sichtbarmachung von Klassismus gibt es?<\/div><div>Das Zine \u201e<strong>working_lass hero_ine<\/strong>\u201c stellt sich genau solche Fragen. Die K\u00fcnstlerin <strong>Anne-Kristin<\/strong> stellt das Magazin sowie Strategien und Herangehensweisen zur eigenen Herstellung dieser selbstpublizierbaren Hefte in einem Workshop vor.<\/div><div>\u00a0<\/div><div>\u00a0<\/div><div>\u00a0<\/div><div><span class=\\\"_Koprus_A_Character\\\">\u201eClass involved your behavior, your basic assumptions, how you are taught to behave, what you expect from yourself and from others, your concept of a future, how you understand problems and solve them, how you think, feel, act.\u201d<\/span><\/div><div>\u00a0<\/div><div>This quote by the American writer describes how broad and deep the impact of class discrimination can be. The art and culture sector is also permeated by structures and behaviours of classism. In an introductory workshop, there will be an opportunity to shed light on discrimination based on social origin and socio-economic position. How do exclusion from others and self-exclusion work? What forms of self-empowerment and making classism visible are there?<\/div><div>\u00a0<\/div><div>The zine \\\"<strong>working_lass hero_ine<\/strong>\u201c asks exactly such questions. The artist <strong>Anne-Kristin<\/strong> will present the magazine as well as strategies and approaches for producing these self- publishable booklets in a workshop.<\/div><div>\u00a0<\/div><div>\u00a0<\/div><div>\u00a0<\/div>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 3574,\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p class=\\\"_Default\\\"><strong>26.05.<\/strong><br \/>14:30h \u2013 15:30h<\/p><p class=\\\"_Default\\\">ZOOM<\/p><p class=\\\"_Standard_small\\\"><br \/>in leichter Sprache (deutsch)\/ <br \/>In plain language (German)<\/p><p class=\\\"_Standard_small\\\"><br \/>Zoom-Meeting beitreten<br \/><a href=\\\"https:\/\/zoom.us\/j\/97254725608\\\">https:\/\/zoom.us\/j\/97254725608<\/a><br \/>Meeting-ID: 972 5472 5608<br \/>Kenncode: 784559<br \/>Schnelleinwahl mobil<\/p><p class=\\\"_Standard_small\\\"><br \/>+493056795800,,97254725608#,,,,*784559# Deutschland<br \/>+496938079883,,97254725608#,,,,*784559# Deutschland<\/p><p class=\\\"_Standard_small\\\"><br \/>Einwahl nach aktuellem Standort<br \/>+49 30 5679 5800 Deutschland<br \/>+49 69 3807 9883 Deutschland<br \/>+49 695 050 2596 Deutschland<br \/>+49 69 7104 9922 Deutschland<br \/>Meeting-ID: 972 5472 5608<br \/>Kenncode: 784559<br \/>Ortseinwahl suchen: <a href=\\\"https:\/\/zoom.us\/u\/ab2Mai1P9R\\\">https:\/\/zoom.us\/u\/ab2Mai1P9R<\/a><\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 2,\r\n \"colspan\": 1,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1543,\r\n \"attid\": 1403,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800-768x336.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800-512x224.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2021\/05\/leichte-sprache-logo-800-265x116.jpg\"\r\n },\r\n \"w\": 800,\r\n \"h\": 350,\r\n \"ar\": 0.4375,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 29\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"<p>\u00dcber die K\u00fcnstlerin\/about the artist<\/p><p>eine lehre als assistentin in der bekleidungstechnik, aber ohne jobchancen, lernte aber Nele kennen, die b\u00fccher liest, job in einem second-hand-shop in dresden, arbeitete mit den kunststudierenden Melo und Raiko, nahmen mich mit zu ausstellungen, besuchte zeichenkurse, kam in eine modedesignklasse an einer nicht so renommierten technischen universit\u00e4t, lernte Lola kennen, sie machte mich mit intersektionalem feminismus bekannt, besuchte Vorlesungen, wurde frustriert, kam an eine prestigetr\u00e4chtige kunstuniversit\u00e4t, traf Pierre-Yves, einen Filmemacher, der tanzt, ich wollte lange pole dance machen, aber pole dance kurse sind so teuer, au\u00dfer man studiert und dann ist es nicht ungew\u00f6hnlich, dass tanzlehrer*innen und t\u00e4nzer*innen sich vom ursprung des tanzes distanzieren.<\/p><p>\u00a0<\/p><p>an apprenticeship as assistant in garment technology without job opportunities, but met Nele, someone who reads books, second-hand-shop-job in dresden, met art students Melo and Raiko, took me to exhibitions, did drawing courses, got into fashion design class at not so prestigious technical university, met Lola, she introduced me to intersectional feminism, visited lectures, got frustrated, got into more prestigious art university, met Pierre-Yves, filmmaker who dances, i wanted to pole dance for a while then but pole dance courses are so expensive except when you are a student and then it\u2018s not uncommon dance teachers and dancers distance themselves from the dance\u2018s origin.<\/p><p>\u00a0<\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 26,\r\n \"frameOverflow\": \"\",\r\n \"dosync\": false\r\n }\r\n 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