{"id":1316,"date":"2021-04-29T15:26:44","date_gmt":"2021-04-06T14:43:15","guid":{"rendered":"http:\/\/transeuropa-festival.de\/2021\/figure-it-out-2\/"},"modified":"2021-05-27T17:18:02","modified_gmt":"2021-05-27T15:18:02","slug":"working-lass-heroine","status":"publish","type":"post","link":"https:\/\/transeuropa-festival.de\/2021\/working-lass-heroine\/","title":{"rendered":"working_lass hero_ine"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1323,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[339,60,36,352,57],"tags":[350,349,73,70],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>working_lass hero_ine &#187; transeuropa [X]<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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Die Corona-Pandemie l\u00e4sst die Schere zwischen Arm und Reich weiter auseinandergehen. Damit r\u00fcckt die Dringlichkeit, dieses Problem gesellschaftlich in Angriff zu nehmen, in den Vordergrund. <\/span><span style=\\\"font-weight: 400;\\\">Dieser Auffassung ist auch <strong>Anne-Kristin Winzer,<\/strong> die mit ihrer Poledance-Installation <strong>working_lass hero_ine<\/strong>\u00a0Zusammenh\u00e4nge von sozialer Klasse mit Blick auf kapitalschwache Milieus und Zugang zu Bildung, Kunst und Arbeit zum Dreh- und Angelpunkt macht. <\/span><span style=\\\"font-weight: 400;\\\">Die T\u00e4nzer*innen <strong>Marla Menn<\/strong>, <strong>Tanja Sitc<\/strong> und <strong>Laura Hilbert<\/strong> des Redlight Dance Studios Wedding vertanzen die klassenspezifische Aneignung des Poledance und kl\u00e4ren mit dem dazugeh\u00f6rigen Zine \u00fcber Klassismus auf.<\/span><\/p><p>Zu dieser Installation geh\u00f6rt ein Zine, das in unserem Ticketshop erworben werden kann.<\/p><p><strong>Let\u2019s talk about class, baby!<\/strong><br \/>The discussion about social class has been long neglected. The Corona pandemic extends the gap between poor and rich more and more. Therefore prioritising to address this social problem is urgent. This view is also shared by <strong>Anne-Kristin Winzer<\/strong>, whose poledance installation <strong>working_lass hero_ine<\/strong> makes connections between social class with a view to capital-weak milieus and access to education, art and work the pivotal point.The dancers <strong>Marla Menn<\/strong>, <strong>Tanja Sitc<\/strong> and <strong>Laura Hilbert<\/strong> of Redlight Dance Studios Wedding dance the class-specific appropriation of pole dance and educate about classism with the accompanying zine.<\/p><p>There is a zine related to this installation, which you can buy in our ticketshop.<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 3574\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": 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\/>Installation<\/a><\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 1,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 32,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/t.rausgegangen.de\/tickets\/working-lass-hero-ine-zine\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tickets <br \/>zine<\/a><\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 4,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\",\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/working-lass-heroine-workshop\/\\\" data-type=\\\"project\\\" data-id=\\\"1400\\\" data-title=\\\"WORKSHOP: working_lass hero_ine\\\" data-catid=\\\"[26,32,59]\\\">Zum <br \/>Workshop<\/a><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 4,\r\n      \"col\": 7,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 31,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong>DE<\/strong><br \/>Hinweis: Resttickets k\u00f6nnen auch kurz vor der Veranstaltung vor Ort gekauft werden.<\/p><p><strong>EN<\/strong><br \/>Note: Remaining tickets can also be purchased on site shortly before the event.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 35,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00dcber die K\u00fcnstlerin\/ about the artist<\/p><p>eine lehre als assistentin in der bekleidungstechnik, aber ohne jobchancen, lernte aber Nele kennen, die b\u00fccher liest, job in einem second-hand-shop in dresden, arbeitete mit den kunststudierenden Melo und Raiko, nahmen mich mit zu ausstellungen, besuchte zeichenkurse, kam in eine modedesignklasse an einer nicht so renommierten technischen universit\u00e4t, lernte Lola kennen, sie machte mich mit intersektionalem feminismus bekannt, besuchte Vorlesungen, wurde frustriert, kam an eine prestigetr\u00e4chtige kunstuniversit\u00e4t, traf Pierre-Yves, einen Filmemacher, der tanzt, ich wollte lange pole dance machen, aber pole dance kurse sind so teuer, au\u00dfer man studiert und dann ist es nicht ungew\u00f6hnlich, dass tanzlehrer*innen und t\u00e4nzer*innen sich vom ursprung des tanzes distanzieren.<\/p><p>\u00a0<\/p><p>an apprenticeship as assistant in garment technology without job opportunities, but met Nele, someone who reads books, second-hand-shop-job in dresden, met art students Melo and Raiko, took me to exhibitions, did drawing courses, got into fashion design class at not so prestigious technical university, met Lola, she introduced me to intersectional feminism, visited lectures, got frustrated, got into more prestigious art university, met Pierre-Yves, filmmaker who dances, i wanted to pole dance for a while then but pole dance courses are so expensive except when you are a student and then it\u2018s not uncommon dance teachers and dancers distance themselves from the dance\u2018s origin.<\/p><p><br \/><br \/><\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><strong>25. Mai 2021<\/strong><br \/>18:00-20:00<\/p><p class=\\\"_Standard_small\\\"><strong>26. - 30. Mai 2021<br \/><\/strong>16:00-20:00<\/p><p class=\\\"_Standard_small\\\">6 min.<\/p><p class=\\\"_Standard_small\\\">Videoinstallation<\/p><p class=\\\"_Standard_small\\\">Almstra\u00dfe 34<\/p><p class=\\\"_Standard_small\\\">Deutsch\/ German<\/p><p class=\\\"_Standard_small\\\">Zine: <br \/>Englisch\/ English<\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Idea and performance:<\/strong> <br \/>Anne-Kristin Winzer<\/span><\/p><p><strong><br \/><\/strong><span style=\\\"font-weight: 400;\\\"><strong>Conceptual support:<\/strong> <br \/>Bella Hager<\/span><\/p><p><strong><br \/><\/strong><span style=\\\"font-weight: 400;\\\"><strong>Performance:<\/strong> <br \/>Marla Menn, Tanja Sitc, Laura Hilbert<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>\u00a0<\/strong><\/span><\/p><p class=\\\"_Default\\\"><br \/><br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 5,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 3,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    8,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 1320,\r\n        \"url\": \"\/wp-content\/uploads\/2021\/04\/Photo-by-Anne-Kristin-Winzerworking_lass_heroinepdf-Kopie.jpg\",\r\n        \"sizes\": {\r\n          \"_768\": {\r\n            \"w\": 768,\r\n            \"h\": 512,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/Photo-by-Anne-Kristin-Winzerworking_lass_heroinepdf-Kopie-768x512.jpg\"\r\n          },\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 342,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/Photo-by-Anne-Kristin-Winzerworking_lass_heroinepdf-Kopie-512x342.jpg\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 177,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/Photo-by-Anne-Kristin-Winzerworking_lass_heroinepdf-Kopie-265x177.jpg\"\r\n          }\r\n        }\r\n      }\r\n    },\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: center;\\\"><span style=\\\"color: #ffffff;\\\"><b>working_lass <br \/>hero_ine<\/b><br \/><br \/><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 3,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 723,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/working-lass-heroine-einfache-sprache\/\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1493\\\" data-title=\\\"working_lass hero_ine - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><\/a><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/workshop-working_lass-hero_ine-einfache-sprache\/\\\" data-type=\\\"project\\\" data-id=\\\"1441\\\" data-title=\\\"WORKSHOP: working_lass hero_ine - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 34,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong>Let's talk about class, baby!<br \/><\/strong><span style=\\\"font-weight: 400;\\\">Die Diskussion um soziale Klasse wurde lange vernachl\u00e4ssigt. Die Corona-Pandemie l\u00e4sst die Schere zwischen Arm und Reich weiter auseinandergehen. Damit r\u00fcckt die Dringlichkeit, dieses Problem gesellschaftlich in Angriff zu nehmen, in den Vordergrund. <\/span><span style=\\\"font-weight: 400;\\\">Dieser Auffassung ist auch <strong>Anne-Kristin Winzer,<\/strong> die mit ihrer Poledance-Installation <strong>working_lass hero_ine<\/strong>\u00a0Zusammenh\u00e4nge von sozialer Klasse mit Blick auf kapitalschwache Milieus und Zugang zu Bildung, Kunst und Arbeit zum Dreh- und Angelpunkt macht. <\/span><span style=\\\"font-weight: 400;\\\">Die T\u00e4nzer*innen <strong>Marla Menn<\/strong>, <strong>Tanja Sitc<\/strong> und <strong>Laura Hilbert<\/strong> des Redlight Dance Studios Wedding vertanzen die klassenspezifische Aneignung des Poledance und kl\u00e4ren mit dem dazugeh\u00f6rigen Zine \u00fcber Klassismus auf.<\/span><\/p><p>Zu dieser Installation geh\u00f6rt ein Zine, das in unserem Ticketshop erworben werden kann.<\/p><p><strong>Let\u2019s talk about class, baby!<\/strong><br \/>The discussion about social class has been long neglected. The Corona pandemic extends the gap between poor and rich more and more. Therefore prioritising to address this social problem is urgent. This view is also shared by <strong>Anne-Kristin Winzer<\/strong>, whose poledance installation <strong>working_lass hero_ine<\/strong> makes connections between social class with a view to capital-weak milieus and access to education, art and work the pivotal point.The dancers <strong>Marla Menn<\/strong>, <strong>Tanja Sitc<\/strong> and <strong>Laura Hilbert<\/strong> of Redlight Dance Studios Wedding dance the class-specific appropriation of pole dance and educate about classism with the accompanying zine.<\/p><p>There is a zine related to this installation, which you can buy in our ticketshop.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 3574\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/kuenstlerischesprogramm\/tanz\/\\\" data-type=\\\"category\\\" data-id=\\\"31\\\" data-title=\\\"Tanz\\\">#Tanz<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1302,\r\n      \"carousel_options\": {\r\n        \"random\": true,\r\n        \"autoplay\": false,\r\n        \"showMultipleSlides\": true,\r\n        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\"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 32,\r\n      \"frameOverflow\": \"\",\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/t.rausgegangen.de\/tickets\/working-lass-hero-ine-zine\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tickets <br \/>zine<\/a><\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\",\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/working-lass-heroine-workshop\/\\\" data-type=\\\"project\\\" data-id=\\\"1400\\\" data-title=\\\"WORKSHOP: working_lass hero_ine\\\" data-catid=\\\"[26,32,59]\\\">Zum <br \/>Workshop<\/a><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 31,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong>DE<\/strong><br \/>Hinweis: Resttickets k\u00f6nnen auch kurz vor der Veranstaltung vor Ort gekauft werden.<\/p><p><strong>EN<\/strong><br \/>Note: Remaining tickets can also be purchased on site shortly before the event.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 35,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00dcber die K\u00fcnstlerin\/ about the artist<\/p><p>eine lehre als assistentin in der bekleidungstechnik, aber ohne jobchancen, lernte aber Nele kennen, die b\u00fccher liest, job in einem second-hand-shop in dresden, arbeitete mit den kunststudierenden Melo und Raiko, nahmen mich mit zu ausstellungen, besuchte zeichenkurse, kam in eine modedesignklasse an einer nicht so renommierten technischen universit\u00e4t, lernte Lola kennen, sie machte mich mit intersektionalem feminismus bekannt, besuchte Vorlesungen, wurde frustriert, kam an eine prestigetr\u00e4chtige kunstuniversit\u00e4t, traf Pierre-Yves, einen Filmemacher, der tanzt, ich wollte lange pole dance machen, aber pole dance kurse sind so teuer, au\u00dfer man studiert und dann ist es nicht ungew\u00f6hnlich, dass tanzlehrer*innen und t\u00e4nzer*innen sich vom ursprung des tanzes distanzieren.<\/p><p>\u00a0<\/p><p>an apprenticeship as assistant in garment technology without job opportunities, but met Nele, someone who reads books, second-hand-shop-job in dresden, met art students Melo and Raiko, took me to exhibitions, did drawing courses, got into fashion design class at not so prestigious technical university, met Lola, she introduced me to intersectional feminism, visited lectures, got frustrated, got into more prestigious art university, met Pierre-Yves, filmmaker who dances, i wanted to pole dance for a while then but pole dance courses are so expensive except when you are a student and then it\u2018s not uncommon dance teachers and dancers distance themselves from the dance\u2018s origin.<\/p><p><br \/><br \/><\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><strong>25. Mai 2021<\/strong><br \/>18:00-20:00<\/p><p class=\\\"_Standard_small\\\"><strong>26. - 30. Mai 2021<br \/><\/strong>16:00-20:00<\/p><p class=\\\"_Standard_small\\\">6 min.<\/p><p class=\\\"_Standard_small\\\">Videoinstallation<\/p><p class=\\\"_Standard_small\\\">Almstra\u00dfe 34<\/p><p class=\\\"_Standard_small\\\">Deutsch\/ German<\/p><p class=\\\"_Standard_small\\\">Zine: <br \/>Englisch\/ English<\/p><p class=\\\"_Standard_small\\\">\u00a0<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Idea and performance:<\/strong> <br \/>Anne-Kristin Winzer<\/span><\/p><p><strong><br \/><\/strong><span style=\\\"font-weight: 400;\\\"><strong>Conceptual support:<\/strong> <br \/>Bella Hager<\/span><\/p><p><strong><br \/><\/strong><span style=\\\"font-weight: 400;\\\"><strong>Performance:<\/strong> <br \/>Marla Menn, Tanja Sitc, Laura Hilbert<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>\u00a0<\/strong><\/span><\/p><p class=\\\"_Default\\\"><br \/><br \/><br \/><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1316"}],"collection":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/comments?post=1316"}],"version-history":[{"count":0,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1316\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media\/1323"}],"wp:attachment":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media?parent=1316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/categories?post=1316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/tags?post=1316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}