{"id":1308,"date":"2021-04-29T15:09:17","date_gmt":"2021-04-06T14:43:15","guid":{"rendered":"http:\/\/transeuropa-festival.de\/2021\/portraits-2\/"},"modified":"2021-06-09T10:11:11","modified_gmt":"2021-06-09T08:11:11","slug":"arriving-now","status":"publish","type":"post","link":"https:\/\/transeuropa-festival.de\/2021\/arriving-now\/","title":{"rendered":"Arriving, Now"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1314,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[339,341,36,57],"tags":[353,354,70,351],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Arriving, Now &#187; transeuropa [X]<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/transeuropa-festival.de\/2021\/arriving-now\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arriving, Now &#187; 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Ein digital vermitteltes Selbst ist f\u00fcr uns alle zur Normalit\u00e4t geworden. Dass technische Fehler und anhaltende Virtualit\u00e4t auf uns einwirken und sich als \u00e4u\u00dferst frustrierend erweisen - und dennoch k\u00fcnstlerisches Potenzial bergen - zeigt die Livestream-Performance Arriving, Now. K\u00fcnstlerin <strong>Chantel Foo<\/strong> er\u00f6ffnet hier einen Glitch-Raum, in dem der \\\"Glitch\\\" jenseits \u00e4sthetischer Fehler gedacht und stattdessen eine Raum-Zeit zwischen unseren Bildschirmen beschw\u00f6rt und imaginiert. Sie wird omnipr\u00e4sent - an allen gemeinsamen virtuellen Orten gleichzeitig. Chantel Foo war ihrer Zeit voraus, als sie Streaming als k\u00fcnstlerisches Medium vor Covid-19 erforschte. <strong>Arriving, Now<\/strong> verk\u00fcrzt nicht nur die geografische Distanz zwischen der K\u00fcnstlerin in London und transeuropa in Hildesheim, sondern dehnt den Glitch-Raum auf alle Bildschirme aus. Wer ist wirklich anwesend und ist das \u00fcberhaupt wichtig? <strong>Arriving, Now<\/strong> spielt mit der Illusion von Liveness und dem, was der Glitch-Raum potenziert.<\/p><p><br \/>Liveness, simultaneity and distance are central aspects of digital communication. A digitally mediated self has become the norm for all of us. Intrusive technical faults and sustained virtuality has impacted us and prove to be extremely frustrating - yet holding artistic potential.This is shown in the livestream performance \\\"Arriving, Now\\\", where artist Chantel Foo opens up a glitch space. <strong>Chantel Foo<\/strong> thinks of the \\\"Glitch\\\" beyond aesthetic error, but rather a space-time in between our screens that can be conjured and imagined. She becomes omnipresent- in all shared virtual locations at the same time. Artist <strong>Chantel Foo<\/strong> was ahead of her time exploring streaming as an artistic medium before Covid-19. \\\"<strong>Arriving, Now<\/strong>\\\" not only shortens the geographical distance between the artist in London and transeuropa in Hildesheim, but extends the glitch space to all your screens. 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href=\\\"https:\/\/t.rausgegangen.de\/tickets\/arriving-now-2\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tickets <br \/>Freiluftkino<\/a><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 4,\r\n      \"col\": 6,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 31,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00dcber die K\u00fcnstlerin\/ about the artist<\/p><p class=\\\"_Standard_small\\\">Chantel Foo ist eine queere K\u00fcnstlerin, die in Singapur geboren ist und jetzt in London lebt und arbeitet. Der Fokus ihrer Arbeit liegt auf Performance mit Einfl\u00fcssen aus chinesischen Tanztraditionen. Chantel Foo spielt mit Verz\u00f6gerungen, Aufbr\u00fcchen und R\u00fcckst\u00e4nden von Pr\u00e4senz. Sie erschafft damit alternative, m\u00f6gliche Realit\u00e4ten in Live-Action-Rollenspielen und Livestreams. Besonders Glitch-R\u00e4ume und Remote-Performances machen ihre Arbeit aus, die eine Suche nach der Verbindung von physischen R\u00e4umen, der Verschmelzung von zwischenr\u00e4umlichen Pr\u00e4senzen und letztlich Spannung, Spiel und Dehnung von Zeit und Raum sind.<\/p><p class=\\\"_Standard_small\\\">Chantel Foo (b. Singapore) is a queer artist living and working in London. At the moment the main thread of her art practise is anchored in performance, which roots from her training in traditional Chinese dance. Working with slippages, departure and residual presence, Chantel's practise gathers and sits with states of selves through mediums such as live-action roleplay and livestreams; producing and participating in alternate, possible realities.<br \/>She is deeply interested in glitch spaces and remote performances that exhibit a search to compound physical spaces, to merge interspatial presences, and ultimately tension, play, and stretch time and space.<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 5,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 33,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[accordions id='1607']\",\r\n      \"align\": \"middle\",\r\n      \"row\": 7,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 37,\r\n      \"shortcodeid\": 1621537923922,\r\n      \"frameOverflow\": \"\",\r\n      \"html_id\": \"vermittlungarriving\",\r\n      \"classes\": \"vermittlungarriving\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong>26. Mai 2021<\/strong><br \/>12:00<\/p><p><span style=\\\"font-weight: 400;\\\">Stream aus London<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">ZOOM<br \/><br \/><\/span><\/p><p><strong>30. Mai 2021<\/strong><br \/>21:00<\/p><p>Freiluftkino<\/p><p>Video-on-Demand<\/p><p>transeuropa-festival.de<\/p><p>27 min.<\/p><p>Ohne Sprache\/ No language<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Performance and Concept:<\/strong><br \/><\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Chantel Foo<\/span><\/p><p><strong>Sounds created with:<\/strong><\/p><p><span style=\\\"font-weight: 400;\\\"> Odete (Portugal) <br \/>and Valeria Radchenko (London).<\/span><\/p><p class=\\\"_Default\\\"><br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 5,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Veranstaltungspartner*innen\/<br \/>venue partner:<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 2,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 24,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18.png\",\r\n      \"align\": \"top\",\r\n      \"row\": 11,\r\n      \"col\": 2,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 985,\r\n      \"attid\": 1354,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18-512x351.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18-265x181.png\"\r\n      },\r\n      \"w\": 742,\r\n      \"h\": 508,\r\n      \"ar\": 0.6846361185983828,\r\n      \"alt\": \"\",\r\n      \"imagelink\": {\r\n        \"url\": \"http:\/\/uglyduck.org.uk\/\",\r\n        \"id\": 0,\r\n        \"type\": \"\",\r\n        \"newtab\": false,\r\n        \"title\": \"\",\r\n        \"hoverimageid\": null,\r\n        \"hoverimagesmallsrc\": \"\"\r\n      }\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 3,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    8,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 1315,\r\n        \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_Arriving.jpg\",\r\n        \"sizes\": {\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 512,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_Arriving-512x512.jpg\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 265,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_Arriving-265x265.jpg\"\r\n          }\r\n        }\r\n      }\r\n    },\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: center;\\\"><span style=\\\"color: #ffffff;\\\">Arriving, <br \/>Now<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 723,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/arriving-now-einfache-sprache\/\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1438\\\" data-title=\\\"Arriving, Now - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><\/a><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/autotomie-der-gastgeberkoerper\/\\\" data-type=\\\"project\\\" data-id=\\\"1070\\\" data-title=\\\"AUTOTOMIE: der Gastgeberk\u00f6rper\\\" data-catid=\\\"[36,30,58]\\\"><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/a><\/span><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 35,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"#vermittlungarriving\\\">\u2192 Vermittlung<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 36,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Liveness, Simultaneit\u00e4t und Distanz sind zentrale Aspekte der digitalen Kommunikation. Ein digital vermitteltes Selbst ist f\u00fcr uns alle zur Normalit\u00e4t geworden. Dass technische Fehler und anhaltende Virtualit\u00e4t auf uns einwirken und sich als \u00e4u\u00dferst frustrierend erweisen - und dennoch k\u00fcnstlerisches Potenzial bergen - zeigt die Livestream-Performance Arriving, Now. K\u00fcnstlerin <strong>Chantel Foo<\/strong> er\u00f6ffnet hier einen Glitch-Raum, in dem der \\\"Glitch\\\" jenseits \u00e4sthetischer Fehler gedacht und stattdessen eine Raum-Zeit zwischen unseren Bildschirmen beschw\u00f6rt und imaginiert. Sie wird omnipr\u00e4sent - an allen gemeinsamen virtuellen Orten gleichzeitig. Chantel Foo war ihrer Zeit voraus, als sie Streaming als k\u00fcnstlerisches Medium vor Covid-19 erforschte. <strong>Arriving, Now<\/strong> verk\u00fcrzt nicht nur die geografische Distanz zwischen der K\u00fcnstlerin in London und transeuropa in Hildesheim, sondern dehnt den Glitch-Raum auf alle Bildschirme aus. Wer ist wirklich anwesend und ist das \u00fcberhaupt wichtig? <strong>Arriving, Now<\/strong> spielt mit der Illusion von Liveness und dem, was der Glitch-Raum potenziert.<\/p><p><br \/>Liveness, simultaneity and distance are central aspects of digital communication. A digitally mediated self has become the norm for all of us. Intrusive technical faults and sustained virtuality has impacted us and prove to be extremely frustrating - yet holding artistic potential.This is shown in the livestream performance \\\"Arriving, Now\\\", where artist Chantel Foo opens up a glitch space. <strong>Chantel Foo<\/strong> thinks of the \\\"Glitch\\\" beyond aesthetic error, but rather a space-time in between our screens that can be conjured and imagined. She becomes omnipresent- in all shared virtual locations at the same time. Artist <strong>Chantel Foo<\/strong> was ahead of her time exploring streaming as an artistic medium before Covid-19. \\\"<strong>Arriving, Now<\/strong>\\\" not only shortens the geographical distance between the artist in London and transeuropa in Hildesheim, but extends the glitch space to all your screens. Who is truly present and does it even matter? <strong>Arriving, Now<\/strong> plays with the illusion of liveness and what the glitch space potentiates.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 3574\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/kuenstlerischesprogramm\/video\/\\\" data-type=\\\"category\\\" data-id=\\\"57\\\" data-title=\\\"Video\\\">#<span style=\\\"font-weight: 400;\\\">Video\u00a0<\/span><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/zoom\/\\\" data-type=\\\"category\\\" data-id=\\\"59\\\" data-title=\\\"Zoom\\\">#Zoom<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 32,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1302,\r\n      \"carousel_options\": {\r\n        \"random\": true,\r\n        \"autoplay\": false,\r\n        \"showMultipleSlides\": true,\r\n        \"freeScroll\": false,\r\n        \"size\": \"fixedHeight\",\r\n        \"slidesWidth\": \"\",\r\n        \"transition\": \"sliding\",\r\n        \"loop\": \"1\",\r\n        \"spaceBetween\": 5,\r\n        \"disableClick\": false,\r\n        \"fillSlides\": false,\r\n        \"fixedHeight\": \"75vh - 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Der Fokus ihrer Arbeit liegt auf Performance mit Einfl\u00fcssen aus chinesischen Tanztraditionen. Chantel Foo spielt mit Verz\u00f6gerungen, Aufbr\u00fcchen und R\u00fcckst\u00e4nden von Pr\u00e4senz. Sie erschafft damit alternative, m\u00f6gliche Realit\u00e4ten in Live-Action-Rollenspielen und Livestreams. Besonders Glitch-R\u00e4ume und Remote-Performances machen ihre Arbeit aus, die eine Suche nach der Verbindung von physischen R\u00e4umen, der Verschmelzung von zwischenr\u00e4umlichen Pr\u00e4senzen und letztlich Spannung, Spiel und Dehnung von Zeit und Raum sind.<\/p><p class=\\\"_Standard_small\\\">Chantel Foo (b. Singapore) is a queer artist living and working in London. At the moment the main thread of her art practise is anchored in performance, which roots from her training in traditional Chinese dance. Working with slippages, departure and residual presence, Chantel's practise gathers and sits with states of selves through mediums such as live-action roleplay and livestreams; producing and participating in alternate, possible realities.<br \/>She is deeply interested in glitch spaces and remote performances that exhibit a search to compound physical spaces, to merge interspatial presences, and ultimately tension, play, and stretch time and space.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 33,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[accordions id='1607']\",\r\n      \"align\": \"top\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 37,\r\n      \"shortcodeid\": 1621537923922,\r\n      \"frameOverflow\": \"\",\r\n      \"html_id\": \"vermittlungarriving\",\r\n      \"classes\": \"vermittlungarriving\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 13,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong>26. Mai 2021<\/strong><br \/>12:00<\/p><p><span style=\\\"font-weight: 400;\\\">Stream aus London<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">ZOOM<br \/><br \/><\/span><\/p><p><strong>30. Mai 2021<\/strong><br \/>21:00<\/p><p>Freiluftkino<\/p><p>Video-on-Demand<\/p><p>transeuropa-festival.de<\/p><p>27 min.<\/p><p>Ohne Sprache\/ No language<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 14,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Performance and Concept:<\/strong><br \/><\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Chantel Foo<\/span><\/p><p><strong>Sounds created with:<\/strong><\/p><p><span style=\\\"font-weight: 400;\\\"> Odete (Portugal) <br \/>and Valeria Radchenko (London).<\/span><\/p><p class=\\\"_Default\\\"><br \/><br \/><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 15,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Veranstaltungspartner*innen\/<br \/>venue partner:<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 16,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 24,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18.png\",\r\n      \"align\": \"top\",\r\n      \"row\": 17,\r\n      \"col\": 0,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 985,\r\n      \"attid\": 1354,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18-512x351.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2021\/04\/Copy-of-UD-full-text-logo-yb-18-265x181.png\"\r\n      },\r\n      \"w\": 742,\r\n      \"h\": 508,\r\n      \"ar\": 0.6846361185983828,\r\n      \"alt\": \"\",\r\n      \"imagelink\": {\r\n        \"url\": \"http:\/\/uglyduck.org.uk\/\",\r\n        \"id\": 0,\r\n        \"type\": \"\",\r\n        \"newtab\": false,\r\n        \"title\": \"\",\r\n        \"hoverimageid\": null,\r\n        \"hoverimagesmallsrc\": \"\"\r\n      },\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1308"}],"collection":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/comments?post=1308"}],"version-history":[{"count":0,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media\/1314"}],"wp:attachment":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media?parent=1308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/categories?post=1308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/tags?post=1308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}