{"id":1286,"date":"2021-04-29T14:07:32","date_gmt":"2021-04-06T14:43:15","guid":{"rendered":"http:\/\/transeuropa-festival.de\/2021\/portraits-2\/"},"modified":"2021-06-09T10:09:24","modified_gmt":"2021-06-09T08:09:24","slug":"torque","status":"publish","type":"post","link":"https:\/\/transeuropa-festival.de\/2021\/torque\/","title":{"rendered":"Torque Vulnerati"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1205,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[339,341,36,57],"tags":[72,71,73,70],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Torque Vulnerati &#187; transeuropa [X]<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/transeuropa-festival.de\/2021\/torque\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Torque Vulnerati &#187; transeuropa [X]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/transeuropa-festival.de\/2021\/torque\/\" \/>\n<meta property=\"og:site_name\" content=\"transeuropa [X]\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/transeuropahildesheim\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-04-06T14:43:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-09T08:09:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/04\/Torque_Vulnerati_COPYRIGHT_Nellie_de_Boer-e1619616252552.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1326\" \/>\n\t<meta property=\"og:image:height\" content=\"995\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"337136-design\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"337136-design\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/transeuropa-festival.de\/2021\/torque\/\",\"url\":\"https:\/\/transeuropa-festival.de\/2021\/torque\/\",\"name\":\"Torque Vulnerati &#187; 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Ihr Werk ist beeinflusst von Fantasy-Narrationen und lenkt den Blick auf \u00c4ngste, Schmerzen und psychische Verfasstheiten, die in digitalen R\u00e4umen zum Ausdruck kommen. Verzerrte Wirklichkeiten und Wahn \u00fcbertragen sich in ein t\u00e4nzerisches M\u00e4rchen; eine Hommage an tumblr-trends. Die Choreografin und T\u00e4nzerin erzeugt auf einer riesigen B\u00fchne mit M\u00e4rchenbrunnen Atmosph\u00e4ren, die jegliche Genregrenzen zerhacken. Post-Internet-Dark-Romanticism k\u00f6nnte diese Stimmung beschreiben.<\/p><p>ACHTUNG: Aus inszenatorischen Gr\u00fcnden werden stroboskopische Lichteffekte verwendet. Vorsicht bei Lichtempfindlichkeit, insbesondere bei photosensitiver Epilepsie. <br \/>\u00a0<\/p><p>ACHTUNG: In dieser Arbeit wird Gewalt und Blut dargestellt\/ gezeigt.<\/p><p>The suction of the internet as a bad trip.<\/p><p>Fantasy scenery in gaming and internet cultures connects myths of nature with technology. <strong>Jette Loona Hermanis<\/strong> uses this specific visual language in T<strong>orque Vulnerat<\/strong>i and makes the phenomena of self-centering and online escapism a subject of discussion. Her work is influenced by fantasy narrations and directs attention to anxieties, pains and mental states, which are expressed in digital spaces. Distorted realities and mania transfers in a fairytale; an homage to tumblr trends. On a huge stage with a fairytale fountain the choreographer and dancer creates an atmosphere which chops up any genre boundaries. This vibe could be described as Post-Internet-Dark-Romanticism.<\/p><p>\u00a0<\/p><p>ATTENTION: This piece uses stroboscopic light effects. Caution with light sensitivity, especially photosensitive epilepsy.<\/p><p>ATTENTION: This piece shows violence and blood.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 3574\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/torque-einfache-sprache\/\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1419\\\" data-title=\\\"Torque Vulnerati - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><\/a><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/torque-einfache-sprache\/\\\" data-type=\\\"project\\\" data-id=\\\"1419\\\" data-title=\\\"Torque Vulnerati - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/a><\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 31\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"#vermittlungtorque\\\">\u2192 Vermittlung<\/a><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 2,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 2,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 33\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 10,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 27\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/video\/\\\" data-type=\\\"category\\\" data-id=\\\"57\\\" data-title=\\\"Video\\\">#Video<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 29,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/kuenstlerischesprogramm\/freiluftkino\/\\\" data-type=\\\"category\\\" data-id=\\\"341\\\" data-title=\\\"Freiluftkino\\\">#Freiluftkino<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 2,\r\n      \"col\": 4,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 32,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/offline\/\\\" data-type=\\\"category\\\" data-id=\\\"55\\\" data-title=\\\"Offline\\\">#Offline<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 2,\r\n      \"col\": 7,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 3026\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/kuenstlerischesprogramm\/tanz\/\\\" data-type=\\\"category\\\" data-id=\\\"31\\\" data-title=\\\"Tanz\\\">#Tanz<\/a><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 2,\r\n      \"col\": 9,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 3027\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1302,\r\n      \"carousel_options\": {\r\n        \"random\": true,\r\n        \"autoplay\": false,\r\n        \"showMultipleSlides\": true,\r\n        \"freeScroll\": false,\r\n        \"size\": \"fixedHeight\",\r\n        \"slidesWidth\": \"\",\r\n        \"transition\": \"sliding\",\r\n        \"loop\": \"1\",\r\n        \"spaceBetween\": 5,\r\n        \"disableClick\": false,\r\n        \"fillSlides\": false,\r\n        \"centeredSlides\": true,\r\n        \"fixedHeight\": \"75vh - 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Ihr Hintergrund liegt in Theater, Tanz und Musik, was fatalerweise ihren Weg zu Choreographie und Performance f\u00fchrte - verschiedene Disziplinen, die die K\u00fcnstlerin in ihrem B\u00fchnenhandwerk vereint. Ihre Arbeit ist stark beeinflusst vom digitalen Zeitalter und transportiert eine schreiende Besessenheit von Selbst-Zentrierung und Online-Persona-Darstellungen. Jette Loona Hermanis stellt die emotionalen Erz\u00e4hlungen des Selbst in Bezug auf die Existenz und das Leiden der Seele aus.<\/p><p class=\\\"_Standard_small\\\">Jette Loona Hermanis is a Latvian-Estonian artist who graduated from SNDO last year. She has a background that runs in theatre, dance and music, which fatally led it's way to choreography &amp; performance, where stage crafting melts them in one. Strongly influenced by the digital age, her work carries a screaming obsession with self-centralization and online persona-portrayal, exhibiting emotional narratives of self in relation to existence and suffering of the soul.<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 5,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 34,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[accordions id='1604']\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 35,\r\n      \"shortcodeid\": 1621535938267,\r\n      \"frameOverflow\": \"\",\r\n      \"html_id\": \"vermittlungtorque\",\r\n      \"classes\": \"vermittlungtorque\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong>26. Mai 2021<\/strong><br \/>21:00<\/p><p>Film<\/p><p>Freiluftkino (Dom\u00e4ne Marienburg)<\/p><p>Video-on-Demand<\/p><p>transeuropa-festival.de<\/p><p><strong>27. Mai 2021<\/strong><br \/>21:00<\/p><p>Video-on-Demand<\/p><p>transeuropa-festival.de<\/p><p>59 min.<\/p><p>Ohne Sprache\/ No language<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Concept, choreography, performance:<\/strong><br \/><\/span><span style=\\\"font-weight: 400;\\\">Jette Loona Hermanis<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Advice:<\/strong><br \/>Bruno Listopad<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Soundtrack Mix:<\/strong> <br \/>Jette Loona Hermanis<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Camera, editing:<\/strong><br \/>Helle Lysh<\/span><span style=\\\"font-weight: 400;\\\">\u00f8j<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Digital afterwork effects:<\/strong><br \/>Ando Naulainen<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Co-Produced by SNDO (School for New Dance Development Amsterdam)<\/span><\/p><p><br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 5,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 3,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    8,\r\n    5,\r\n    8,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 1179,\r\n        \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_TorqueVulnerati.jpg\",\r\n        \"sizes\": {\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 512,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_TorqueVulnerati-512x512.jpg\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 265,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_TorqueVulnerati-265x265.jpg\"\r\n          }\r\n        }\r\n      }\r\n    },\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: center;\\\"><span style=\\\"color: #ffffff;\\\">Torque<br \/>Vulnerati<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 5,\r\n      \"spacebelow\": 5,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 723,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/torque-einfache-sprache\/\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1419\\\" data-title=\\\"Torque Vulnerati - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><\/a><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/torque-einfache-sprache\/\\\" data-type=\\\"project\\\" data-id=\\\"1419\\\" data-title=\\\"Torque Vulnerati - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 31,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"#vermittlungtorque\\\">\u2192 Vermittlung<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 33,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Der Sog des Internets als Bad-Trip.<\/p><p>Fantasykulissen in Gaming- und Internetkulturen verbinden Naturmythen mit Technologie. <strong>Jette Loona Hermanis<\/strong> bedient sich in <strong>Torque Vulnerati<\/strong> dieser spezifischen Bildsprache und thematisiert Ph\u00e4nomene von Selbstzentrierung und Online-Eskapismus. Ihr Werk ist beeinflusst von Fantasy-Narrationen und lenkt den Blick auf \u00c4ngste, Schmerzen und psychische Verfasstheiten, die in digitalen R\u00e4umen zum Ausdruck kommen. Verzerrte Wirklichkeiten und Wahn \u00fcbertragen sich in ein t\u00e4nzerisches M\u00e4rchen; eine Hommage an tumblr-trends. Die Choreografin und T\u00e4nzerin erzeugt auf einer riesigen B\u00fchne mit M\u00e4rchenbrunnen Atmosph\u00e4ren, die jegliche Genregrenzen zerhacken. Post-Internet-Dark-Romanticism k\u00f6nnte diese Stimmung beschreiben.<\/p><p>ACHTUNG: Aus inszenatorischen Gr\u00fcnden werden stroboskopische Lichteffekte verwendet. Vorsicht bei Lichtempfindlichkeit, insbesondere bei photosensitiver Epilepsie. <br \/>\u00a0<\/p><p>ACHTUNG: In dieser Arbeit wird Gewalt und Blut dargestellt\/ gezeigt.<\/p><p>The suction of the internet as a bad trip.<\/p><p>Fantasy scenery in gaming and internet cultures connects myths of nature with technology. <strong>Jette Loona Hermanis<\/strong> uses this specific visual language in T<strong>orque Vulnerat<\/strong>i and makes the phenomena of self-centering and online escapism a subject of discussion. Her work is influenced by fantasy narrations and directs attention to anxieties, pains and mental states, which are expressed in digital spaces. Distorted realities and mania transfers in a fairytale; an homage to tumblr trends. On a huge stage with a fairytale fountain the choreographer and dancer creates an atmosphere which chops up any genre boundaries. This vibe could be described as Post-Internet-Dark-Romanticism.<\/p><p>\u00a0<\/p><p>ATTENTION: This piece uses stroboscopic light effects. Caution with light sensitivity, especially photosensitive epilepsy.<\/p><p>ATTENTION: This piece shows violence and blood.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 3574\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/video\/\\\" data-type=\\\"category\\\" data-id=\\\"57\\\" data-title=\\\"Video\\\">#Video<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/kuenstlerischesprogramm\/freiluftkino\/\\\" data-type=\\\"category\\\" data-id=\\\"341\\\" data-title=\\\"Freiluftkino\\\">#Freiluftkino<\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 32,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 1302,\r\n      \"carousel_options\": {\r\n        \"random\": true,\r\n        \"autoplay\": false,\r\n        \"showMultipleSlides\": true,\r\n        \"freeScroll\": false,\r\n        \"size\": \"fixedHeight\",\r\n        \"slidesWidth\": \"\",\r\n        \"transition\": \"sliding\",\r\n        \"loop\": \"1\",\r\n        \"spaceBetween\": 5,\r\n        \"disableClick\": false,\r\n        \"fillSlides\": false,\r\n        \"centeredSlides\": true,\r\n        \"fixedHeight\": \"75vh - 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Ihr Hintergrund liegt in Theater, Tanz und Musik, was fatalerweise ihren Weg zu Choreographie und Performance f\u00fchrte - verschiedene Disziplinen, die die K\u00fcnstlerin in ihrem B\u00fchnenhandwerk vereint. Ihre Arbeit ist stark beeinflusst vom digitalen Zeitalter und transportiert eine schreiende Besessenheit von Selbst-Zentrierung und Online-Persona-Darstellungen. Jette Loona Hermanis stellt die emotionalen Erz\u00e4hlungen des Selbst in Bezug auf die Existenz und das Leiden der Seele aus.<\/p><p class=\\\"_Standard_small\\\">Jette Loona Hermanis is a Latvian-Estonian artist who graduated from SNDO last year. She has a background that runs in theatre, dance and music, which fatally led it's way to choreography &amp; performance, where stage crafting melts them in one. Strongly influenced by the digital age, her work carries a screaming obsession with self-centralization and online persona-portrayal, exhibiting emotional narratives of self in relation to existence and suffering of the soul.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 34,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[accordions id='1604']\",\r\n      \"align\": \"middle\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 35,\r\n      \"shortcodeid\": 1621535938267,\r\n      \"frameOverflow\": \"\",\r\n      \"html_id\": \"vermittlungtorque\",\r\n      \"classes\": \"vermittlungtorque\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><strong>26. Mai 2021<\/strong><br \/>21:00<\/p><p>Film<\/p><p>Freiluftkino (Dom\u00e4ne Marienburg)<\/p><p>Video-on-Demand<\/p><p>transeuropa-festival.de<\/p><p><strong>27. Mai 2021<\/strong><br \/>21:00<\/p><p>Video-on-Demand<\/p><p>transeuropa-festival.de<\/p><p>59 min.<\/p><p>Ohne Sprache\/ No language<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 13,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Concept, choreography, performance:<\/strong><br \/><\/span><span style=\\\"font-weight: 400;\\\">Jette Loona Hermanis<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Advice:<\/strong><br \/>Bruno Listopad<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Soundtrack Mix:<\/strong> <br \/>Jette Loona Hermanis<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Camera, editing:<\/strong><br \/>Helle Lysh<\/span><span style=\\\"font-weight: 400;\\\">\u00f8j<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Digital afterwork effects:<\/strong><br \/>Ando Naulainen<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Co-Produced by SNDO (School for New Dance Development Amsterdam)<\/span><\/p><p><br \/><br \/><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 14,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1286"}],"collection":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/comments?post=1286"}],"version-history":[{"count":0,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1286\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media\/1205"}],"wp:attachment":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media?parent=1286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/categories?post=1286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/tags?post=1286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}