{"id":1246,"date":"2021-04-27T17:30:00","date_gmt":"2021-04-06T14:43:15","guid":{"rendered":"http:\/\/transeuropa-festival.de\/2021\/torque-vulnerati-2\/"},"modified":"2021-06-09T10:12:45","modified_gmt":"2021-06-09T08:12:45","slug":"marie-anoinette","status":"publish","type":"post","link":"https:\/\/transeuropa-festival.de\/2021\/marie-anoinette\/","title":{"rendered":"Marie Antoinette Walks Down An Elegant Hallway Knowing Everyone Hates Her"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1251,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[339,60,36,30,352,57],"tags":[350,71,49,357,70],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Marie Antoinette Walks Down An Elegant Hallway Knowing Everyone Hates Her &#187; transeuropa [X]<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/transeuropa-festival.de\/2021\/marie-anoinette\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marie Antoinette Walks Down An Elegant Hallway Knowing Everyone Hates Her &#187; 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Jahrhunderts zugeschrieben wird: Marie Antoinette. Sie pflegte einen r\u00fccksichtslos-verschwenderischen Lebensstil. Mit ausladenden Kleidern nach Art des Rokoko versetzt die K\u00fcnstlerin <\/span><strong>Alyssa Dillard<\/strong><span style=\\\"font-weight: 400;\\\"> sich selbst und ihre Performenden in die dragesken, selbst gemachten Kost\u00fcme der larger-than-life Figur der Monarchin. <\/span><b>Marie Antoinette Walks Down An Elegant Hallway Knowing Everyone Hates Her<\/b><span style=\\\"font-weight: 400;\\\"> ist ein Fest, ein Festessen, ein Ball \u2013 und eine Kritik an <\/span><strong>wei\u00dfer<\/strong><span style=\\\"font-weight: 400;\\\"> Geschichtsschreibung. Die Performenden finden dabei nicht nur sechs verschiedene Versionen von Marie Antoinette, sondern auch verborgene Teile ihrer Selbst. Wie ist man im eigenen K\u00f6rper absolut unverstellt - mit Lagen \u00fcber Lagen von Stoff, Korsetterie, Juwelen, Per\u00fccken, Federn und Puder? Was bedeutete es zu Zeiten der Franz\u00f6sischen Revolution, was bedeutet es heute?<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">\\\"If the people have no bread, let them eat cake!\\\", a quote which is attributed to the symbol of European monarchies of the 18th century: Marie Antoinette, known for maintaining a recklessly extravagant lifestyle. With flared dresses inspired by the style of Rococo, the artist <\/span><strong>Alyssa Dillard<\/strong><span style=\\\"font-weight: 400;\\\"> sets herself and her performers into dragesque, self-made costumes of the larger-than-life figure of the monarch. <\/span><b>Marie Antoinette Walks Down An Elegant Hallway Knowing Everyone Hates Her <\/b><span style=\\\"font-weight: 400;\\\">is a feast, a banquet, a ball and criticism of <\/span><strong>white<\/strong><span style=\\\"font-weight: 400;\\\"> historiography. At the same time the performers not only find six different versions of Marie Antoinette but also hidden parts of themselves. How to be absolutely undisguised in your own body with layers upon layers of fabric, corsetry, jewels, wigs, feathers and powder? What did it mean in the times of the French Revolution, what does it mean nowadays?<\/span><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 3574,\r\n      \"dosync\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/marie-antoinette-einfache-sprache\/\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1553\\\" data-title=\\\"Marie Antoinette Walks Down an Elegant Hallway Knowing Everyone Hates Her  - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><img 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\"img\",\r\n          \"attid\": 1248,\r\n          \"cont\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-1280x853.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-265x177.jpg\"\r\n          },\r\n          \"w\": 1500,\r\n          \"h\": 1000,\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Descript\\\">\u00a9Miljan Vuleti\u0107<\/p>\"\r\n        }\r\n      ],\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/t.rausgegangen.de\/tickets\/shop\/prasenzveranstaltungen-transeuropa-x-enter-the-collective-vi?search=Marie&amp;order=start_time\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-id=\\\"0\\\">Tickets <br \/>Installation<\/a><\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 25,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\",\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/t.rausgegangen.de\/tickets\/shop\/transeuropa-x-enter-the-collective-vision?search=marie&amp;order=start_time\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tickets <br \/>Video<\/a><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 5,\r\n      \"col\": 5,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 33,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00dcber die K\u00fcnstlerin\/ about the artist<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Alyssa Dillard ist Performerin und Regisseurin aus Texas, USA, und schloss ihr M.A. Studium an der Academy of Performing Arts Prag ab. Sie lebt derzeit in Prag und entwickelt von dort ortsspezifische Performances, in denen sie k\u00fcnstlerische Elemente wie Musik, Tanz, Theater und Installation in Verbindung bringt. Sie erforscht transkulturelle Komplexe und Missverst\u00e4ndnisse, soziale Interaktionen, Zuschauer*innenschaft und die intime Beziehung zwischen dem Selbst und den Anderen - und sucht dabei nach M\u00f6glichkeiten der Verbindung durch Unterschiede.<\/span><\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Alyssa Dillard is a performance artist and director from Texas, United States, and a masters graduate of the Academy of Performing Arts in Prague Theatre Faculty. Currently based in Prague, she creates site specific performances that mix different artistic elements such as music, dance, theatre, and installations. Her work is an exploration of cultural mixtures and miscommunications, social interactions, viewership, and the intimacy between ourselves and those around us. She is searching for ways to create connections through our differences.\u00a0 <\/span><\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[accordions id='1698']\",\r\n      \"align\": \"middle\",\r\n      \"row\": 7,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 38,\r\n      \"shortcodeid\": 1621932942954,\r\n      \"frameOverflow\": \"\",\r\n      \"html_id\": \"vermittlungdillard\",\r\n      \"classes\": \"vermittlungdillard\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\"><strong>26. Mai 2021<\/strong><br \/><\/span><span style=\\\"font-weight: 400;\\\"> 19:00<\/span><\/p><p class=\\\"_Standard_small\\\"><strong>27. Mai 2021<\/strong><br \/>19:00<\/p><p class=\\\"_Standard_small\\\">Videoinstallation<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Magdalenengarten<br \/>Eingang in der Stra\u00dfe \\\"Wohl\\\"<\/span><\/p><p class=\\\"_Standard_small\\\">40 min.<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Video-on-Demand<\/span><\/p><p class=\\\"_Standard_small\\\">Instagram &amp; transeuropa-festival.de<\/p><p class=\\\"_Standard_small\\\">30 min.<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Englisch\/ English<\/span><\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Concept and Performance:<\/strong> <br \/>Alyssa Dillard<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Music:<\/strong> <br \/>Cristina Manuela Romero<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Performers:<\/strong> <br \/>Alyssa Dillard<br \/><\/span><span style=\\\"font-weight: 400;\\\">Tinka Avramova<br \/>Debora \u0160tysov\u00e1<br \/>Magdalena Malinova<br \/><\/span><\/p><p class=\\\"_Default\\\"><br \/><br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 5,\r\n      \"colspan\": 5,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\">Die Installation ist von 19:00-21:30 Uhr ge\u00f6ffnet. Innerhalb dieses Zeitraumes ist Ihnen der genaue Zeitpunkt Ihres Besuches freigestellt. Der Besuch der Installation dauert maximal 40 Minuten. Sie haben die M\u00f6glichkeit zu jeder Zeit die Installation zu verlassen.<\/p><p class=\\\"_Standard_small\\\">The installation is open from 19:00-21:30. In this period of time you can visit it at any time. The duration of one run through the installation is 40 minutes. You have the option to exit the installation at any time.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 2,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 34,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 3,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    8,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"topFrameMargin\": 5,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 1252,\r\n        \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_marieantoinette.jpg\",\r\n        \"sizes\": {\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 512,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_marieantoinette-512x512.jpg\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 265,\r\n            \"url\": \"\/wp-content\/uploads\/2021\/04\/PROGRAMM_WEB_PROJEKT_THUMBS-SQUAREc_marieantoinette-265x265.jpg\"\r\n          }\r\n        }\r\n      }\r\n    },\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Bigsupertite_Adieu\\\" style=\\\"text-align: center;\\\"><span style=\\\"color: #ffffff;\\\"><b>Marie Antoinette Walks Down An Elegant Hallway Knowing Everyone Hates Her<\/b><br \/><br \/><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 3,\r\n      \"spacebelow\": 3,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 723,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-family: AlteHaasGrotesk_Bold;\\\"><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/marie-antoinette-einfache-sprache\/\\\" rel=\\\"noopener\\\" data-type=\\\"project\\\" data-id=\\\"1553\\\" data-title=\\\"Marie Antoinette Walks Down an Elegant Hallway Knowing Everyone Hates Her  - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><img src=\\\"http:\/\/transeuropa-festival.de\/2021\/wp-content\/uploads\/2021\/05\/EinfacheSprache-Symbol.png\\\" \/><\/a><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/marie-antoinette-einfache-sprache\/\\\" data-type=\\\"project\\\" data-id=\\\"1553\\\" data-title=\\\"Marie Antoinette Walks Down an Elegant Hallway Knowing Everyone Hates Her  - Einfache Sprache\\\" data-catid=\\\"[361]\\\"><br \/>Klicke hier, um den Beitrag in Einfache Sprache zu lesen.<\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 36,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><a href=\\\"#vermittlungdillard\\\">\u2192 Vermittlung<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 37,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\">\\\"Wenn sie kein Brot haben, dann sollen sie doch Kuchen essen!\\\" Ein Zitat, das dem Sinnbild europ\u00e4ischer Monarchien des 18. Jahrhunderts zugeschrieben wird: Marie Antoinette. Sie pflegte einen r\u00fccksichtslos-verschwenderischen Lebensstil. Mit ausladenden Kleidern nach Art des Rokoko versetzt die K\u00fcnstlerin <\/span><strong>Alyssa Dillard<\/strong><span style=\\\"font-weight: 400;\\\"> sich selbst und ihre Performenden in die dragesken, selbst gemachten Kost\u00fcme der larger-than-life Figur der Monarchin. <\/span><b>Marie Antoinette Walks Down An Elegant Hallway Knowing Everybody Hates Her<\/b><span style=\\\"font-weight: 400;\\\"> ist ein Fest, ein Festessen, ein Ball \u2013 und eine Kritik an <\/span><strong>wei\u00dfer<\/strong><span style=\\\"font-weight: 400;\\\"> Geschichtsschreibung. Die Performenden finden dabei nicht nur sechs verschiedene Versionen von Marie Antoinette, sondern auch verborgene Teile ihrer Selbst. Wie ist man im eigenen K\u00f6rper absolut unverstellt - mit Lagen \u00fcber Lagen von Stoff, Korsetterie, Juwelen, Per\u00fccken, Federn und Puder? Was bedeutete es zu Zeiten der Franz\u00f6sischen Revolution, was bedeutet es heute?<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">\\\"If the people have no bread, let them eat cake!\\\", a quote which is attributed to the symbol of European monarchies of the 18th century: Marie Antoinette, known for maintaining a recklessly extravagant lifestyle. With flared dresses inspired by the style of Rococo, the artist <\/span><strong>Alyssa Dillard<\/strong><span style=\\\"font-weight: 400;\\\"> sets herself and her performers into dragesque, self-made costumes of the larger-than-life figure of the monarch. <\/span><b>Marie Antoinette Walks Down An Elegant Hallway Knowing Everybody Hates Her <\/b><span style=\\\"font-weight: 400;\\\">is a feast, a banquet, a ball and criticism of <\/span><strong>white<\/strong><span style=\\\"font-weight: 400;\\\"> historiography. At the same time the performers not only find six different versions of Marie Antoinette but also hidden parts of themselves. How to be absolutely undisguised in your own body with layers upon layers of fabric, corsetry, jewels, wigs, feathers and powder? What did it mean in the times of the French Revolution, what does it mean nowadays?<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 3574,\r\n      \"dosync\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><a href=\\\"http:\/\/transeuropa-festival.de\/2021\/category\/video\/\\\" data-type=\\\"category\\\" data-id=\\\"57\\\" data-title=\\\"Video\\\">#<span style=\\\"font-weight: 400;\\\">Video<\/span><\/a><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 29,\r\n      \"frameOverflow\": \"\"\r\n    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\"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-1280x853.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2021\/04\/Miljan-Vuletic-3-265x177.jpg\"\r\n          },\r\n          \"w\": 1500,\r\n          \"h\": 1000,\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Descript\\\">\u00a9Miljan Vuleti\u0107<\/p>\"\r\n        }\r\n      ],\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/t.rausgegangen.de\/tickets\/shop\/prasenzveranstaltungen-transeuropa-x-enter-the-collective-vi?search=Marie&amp;order=start_time\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\" data-id=\\\"0\\\">Tickets <br \/>Installation<\/a><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 25,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\",\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_h3\\\" style=\\\"text-align: center;\\\"><a href=\\\"https:\/\/t.rausgegangen.de\/tickets\/shop\/transeuropa-x-enter-the-collective-vision?search=marie&amp;order=start_time\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\">Tickets <br \/>Video<\/a><\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 33,\r\n      \"html_id\": \"ticketbutton\",\r\n      \"classes\": \"ticketbutton\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u00dcber die K\u00fcnstlerin\/ about the artist<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Alyssa Dillard ist Performerin und Regisseurin aus Texas, USA, und schloss ihr M.A. Studium an der Academy of Performing Arts Prag ab. Sie lebt derzeit in Prag und entwickelt von dort ortsspezifische Performances, in denen sie k\u00fcnstlerische Elemente wie Musik, Tanz, Theater und Installation in Verbindung bringt. Sie erforscht transkulturelle Komplexe und Missverst\u00e4ndnisse, soziale Interaktionen, Zuschauer*innenschaft und die intime Beziehung zwischen dem Selbst und den Anderen - und sucht dabei nach M\u00f6glichkeiten der Verbindung durch Unterschiede.<\/span><\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Alyssa Dillard is a performance artist and director from Texas, United States, and a masters graduate of the Academy of Performing Arts in Prague Theatre Faculty. Currently based in Prague, she creates site specific performances that mix different artistic elements such as music, dance, theatre, and installations. Her work is an exploration of cultural mixtures and miscommunications, social interactions, viewership, and the intimacy between ourselves and those around us. She is searching for ways to create connections through our differences.\u00a0 <\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 26,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"[accordions id='1698']\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 38,\r\n      \"shortcodeid\": 1621932942954,\r\n      \"frameOverflow\": \"\",\r\n      \"html_id\": \"vermittlungdillard\",\r\n      \"classes\": \"vermittlungdillard\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 30,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\"><strong>26. Mai 2021<\/strong><br \/><\/span><span style=\\\"font-weight: 400;\\\"> 19:00<\/span><\/p><p class=\\\"_Standard_small\\\"><strong>27. Mai 2021<\/strong><br \/>19:00<\/p><p class=\\\"_Standard_small\\\">Videoinstallation<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Magdalenengarten<br \/>Eingang in der Stra\u00dfe \\\"Wohl\\\"<\/span><\/p><p class=\\\"_Standard_small\\\">40 min.<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Video-on-Demand<\/span><\/p><p class=\\\"_Standard_small\\\">Instagram &amp; transeuropa-festival.de<\/p><p class=\\\"_Standard_small\\\">30 min.<\/p><p class=\\\"_Standard_small\\\"><span style=\\\"font-weight: 400;\\\">Englisch\/ English<\/span><\/p><p>\u00a0<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 28,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\"><strong>Concept and Performance:<\/strong> <br \/>Alyssa Dillard<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Music:<\/strong> <br \/>Cristina Manuela Romero<\/span><\/p><p><span style=\\\"font-weight: 400;\\\"><strong>Performers:<\/strong> <br \/>Alyssa Dillard<br \/><\/span><span style=\\\"font-weight: 400;\\\">Tinka Avramova<br \/>Debora \u0160tysov\u00e1<br \/>Magdalena Malinova<br \/><\/span><\/p><p class=\\\"_Default\\\"><br \/><br \/><br \/><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 11,\r\n      \"col\": 1,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Standard_small\\\">Die Installation ist von 19:00-21:30 Uhr ge\u00f6ffnet. Innerhalb dieses Zeitraumes ist Ihnen der genaue Zeitpunkt Ihres Besuches freigestellt. Der Besuch der Installation dauert maximal 40 Minuten. Sie haben die M\u00f6glichkeit zu jeder Zeit die Installation zu verlassen.<\/p><p class=\\\"_Standard_small\\\">The installation is open from 19:00-21:30. In this period of time you can visit it at any time. The duration of one run through the installation is 40 minutes. You have the option to exit the installation at any time.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 34,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1246"}],"collection":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/comments?post=1246"}],"version-history":[{"count":0,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/posts\/1246\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media\/1251"}],"wp:attachment":[{"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/media?parent=1246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/categories?post=1246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/transeuropa-festival.de\/2021\/wp-json\/wp\/v2\/tags?post=1246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}